My work explores the relationship between acquired synesthesia and life as performance. With influences as diverse as music and bacon, new variations are crafted from both traditional and transcendent narratives.
Ever since I was a child, I have been fascinated by the theoretical limits of the zeitgeist. What starts out as hope soon becomes manipulated into a manifesto of power, leaving only a sense of chaos and the chance of a new beginning.
As temporal phenomena become distorted through emergent and diverse practice, the viewer is left with an impression of the ephemeral nature of our era.